{"schemaVersion":"1.0","language":"en","dateModified":"2026-11-04","name":"Bergott / SPECUS — Works on Paper","canonicalUrl":"https://specus.space/specus-bergott/en","localizedUrls":{"ru":"https://specus.space/specus-bergott","en":"https://specus.space/specus-bergott/en"},"creator":{"name":"Azamat Abdugaliev","alternateName":"Азамат Абдугалиев","url":"https://specus.space/specus-bergott#artist"},"description":"Art by Azamat Abdugaliev: Proust, The Little Prince and SPECUS numerals. Original Au Pont Rouge and SPECUS typefaces. Hahnemühle Photo Rag Metallic 340 gsm paper.","printPaper":{"name":"Hahnemühle Photo Rag Metallic","weightGsm":340,"cottonPercent":100,"finish":"Silvery high-gloss","opticalBrighteners":false,"source":"https://www.hahnemuehle.com/en/digital-papers/fineart-collection/glossy-fineart/p/Product/show/5/996.html"},"works":[{"id":"le-temps-retrouve","title":"Le Temps retrouvé","subtitle":"Marcel Proust / Time Regained","canonicalUrl":"https://specus.space/specus-bergott/en#le-temps-retrouve","description":"Proust’s In Search of Lost Time is, among other things, a novel about our connection to memories of places we have visited and places we have yet to visit. About things that suddenly bring vivid memories back. To me, it is the most design-minded book that is not about design.\n\nI released my French Art Nouveau typeface in Ho Chi Minh City. I named it Au Pont Rouge after the building at the Red Bridge in Saint Petersburg. And the first word I set in this typeface was “Proust”.\n\nI added a graphic drawing of the estate at Tansonville, a reference to Swann’s Way, the first volume of the novel. This is where the immersion in memories begins.","typeface":"Au Pont Rouge","image":{"url":"https://specus.space/img/specus-bergott/20261103/work-01.webp","width":1273,"height":1800,"caption":"Proust: white lettering and a yellow-green facade on a graphite background"},"literarySource":{"@type":"Book","name":"Le Temps retrouvé","author":{"@type":"Person","name":"Marcel Proust"}}},{"id":"le-petit-prince","title":"Le Petit Prince","subtitle":"Antoine de Saint-Exupéry / The Little Prince","canonicalUrl":"https://specus.space/specus-bergott/en#le-petit-prince","description":"For The Little Prince, I developed a typeface from the lettering I had designed for the dial of my SPECUS SA-01 pilot watch.\n\nThe composition includes elements of a watch dial: a scale, circles and large numerals. The book’s title runs diagonally; the author’s name is set in smaller letters.\n\nWhite and graphite fields meet yellow-green details: a triangular marker and concentric circles.","typeface":"SPECUS","image":{"url":"https://specus.space/img/specus-bergott/20261103/work-02.webp","width":1273,"height":1800,"caption":"The Little Prince: diagonal lettering, a scale and concentric circles"},"literarySource":{"@type":"Book","name":"Le Petit Prince","author":{"@type":"Person","name":"Antoine de Saint-Exupéry"}}},{"id":"specus-numerals","title":"SPECUS / Numerals","subtitle":"Numerals","canonicalUrl":"https://specus.space/specus-bergott/en#specus-numerals","description":"A separate sheet showing the numerals of the SPECUS typeface, designed for the dial of the SA-01 pilot watch.\n\nA triangular marker sits above two rows of numerals: 1 to 5 and 6 to 0. A circular scale appears below.\n\nAt this size, the rounded strokes and breaks in the contours are clearly visible. White signs sit on a graphite ground, with yellow-green reserved for small markers.","typeface":"SPECUS","image":{"url":"https://specus.space/img/specus-bergott/20261103/work-03.webp","width":1273,"height":1800,"caption":"Two rows of white numerals and a circular scale on a graphite background"}}],"contact":{"email":"specusgear@gmail.com"},"source":"https://specus.space/specus-bergott/en"}